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PRESS
On the occasion of the UPCB’s centenary in 2025, CINEMATEK joins the celebration by inviting members of the Union to present, throughout the year, on the third Thursday of each month, a selection of 12 films awarded by UPCB journalists since the association’s inception. In March, the members decided to highlight Les Rendez-vous d’Anna by Chantal Akerman.
#upcb-ubfp #chantal akerman #history of cinema #belgian cinema
DOSSIERS
PRESS
100th anniversary UCPB-UBFP: Daens & Le Diable au Corps
Discover the first two films in this anniversary program!
09.01 2025
The UBFP-UPCB is a national association representing FIPRESCI in Belgium, bringing together professional critics and journalists who promote cinema while defending the rights and interests of its members. Discover the first two films in this anniversary program!
DOSSIERS
PRESS
Union of the Belgian Film Press (UPCB-UBFP) celebrates its centenary
100 years of film journalism in Belgium
09.01 2025
The UBFP-UPCB is a national association representing FIPRESCI in Belgium, bringing together professional critics and journalists who promote cinema while defending the rights and interests of its members. Discover the history of the UPCB on the occasion of the association's centenary!
DOSSIERS
CINEMATEK
While most people can easily define what a museum or library is, understanding the purpose and mission of a “Cinémathèque” or Film Archive can be more complicated. What does the term “Cinémathèque” mean, and what role does it play? What happens behind its doors once the projectors are turned off and the audience has left? In two articles, CINEMATEK will explore its dual role—both as a museum and on its mission of preservation and restoration. We will share the history of our spaces and invite you to explore them through an online immersive 3D tour.
DOSSIERS
CINEMATEK, Restauration
While most people can easily define what a museum or library is, understanding the purpose and mission of a “Cinémathèque” or Film Archive can be more complicated. What does the term “Cinémathèque” mean, and what role does it play? What happens behind its doors once the projectors are turned off and the audience has left? In two articles, CINEMATEK will explore its dual role—both as a museum and on its mission of preservation and restoration. We will share the history of our spaces and invite you to explore them through an online immersive 3D tour.
DOSSIERS
Chantal Akerman, Restauration
The restoration of Chantal Akerman's film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This is an opportunity to review and examine over ten years of work on the restoration of her films. Céline Brouwez, who works on the valorization of Chantal Akerman's work within the Fondation Chantal Akerman and CINEMATEK, explains how the restoration of her films is part of a broader effort to enhance her oeuvre.
DOSSIERS
Chantal Akerman, Restauration
The restoration of Chantal Akerman's film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This was an opportunity to reflect on and examine more than ten years of work on restoring her films. Christophe Tondeur, an expert in film restoration, discusses the color grading work he performed on Demain on déménage.
DOSSIERS
Chantal Akerman, Restauration
The restoration of Chantal Akerman’s film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This provides an opportunity to reflect on and examine over ten years of work on the restoration of her films. Arianna Turci and Bruno Mestdagh, heads of the film collections, and Christophe Tondeur, an expert in film restoration, explain the restoration work.
DOSSIERS
Chantal Akerman, Restauration
The restoration of Chantal Akerman's film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This is an opportunity to take stock and examine more than ten years spent working on the restoration of her films. Arianna Turci and Bruno Mestdagh, the heads of the film collections, explain the preparatory work that was done for the restoration of Chantal Akerman's films.
DOSSIERS
Chantal Akerman
The Cannes Film Festival highlighted the work of three generations (Luc and Jean-Pierre Dardenne, Charlotte Vandermeersch and Félix Van Groeningen, Lukas Dhont and Adil El Arbi & Bilall Fallah) and the year ended with the consecration of Chantal Akerman by the magazine Sight & Sound.On 2 December, Sight & Sound published its list of the 100 best films in the history of cinema, and more than 1,600 critics and film specialists named Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, as the greatest film of all time.
