Education
Dossiers
De inhoudelijke en educatieve insteek kan variëren van het schetsen van het historisch kader, filmtheoretische duiding rond genres of filmtechnieken tot omkadering met oog voor het genderspectrum, racisme en de impact van film op representatie.
DOSSIERS
The CINEMATEK film collection,
An (inter)national treasure.
While most people can easily define what a museum or library is, understanding the purpose and mission of a “Cinémathèque” or Film Archive can be more complicated. What does the term “Cinémathèque” mean, and what role does it play? What happens behind its doors once the projectors are turned off and the audience has left? In two articles, CINEMATEK will explore its dual role—both as a museum and on its mission of preservation and restoration. We will share the history of our spaces and invite you to explore them through an online immersive 3D tour.
DOSSIERS
CINEMATEK,
Museum of Cinema
While most people can easily define what a museum or library is, understanding the purpose and mission of a “Cinémathèque” or Film Archive can be more complicated. What does the term “Cinémathèque” mean, and what role does it play? What happens behind its doors once the projectors are turned off and the audience has left? In two articles, CINEMATEK will explore its dual role—both as a museum and on its mission of preservation and restoration. We will share the history of our spaces and invite you to explore them through an online immersive 3D tour.
DOSSIERS
Restoring Chantal Akerman's Films #4
The Valorization of the Work
The restoration of Chantal Akerman's film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This is an opportunity to review and examine over ten years of work on the restoration of her films. Céline Brouwez, who works on the valorization of Chantal Akerman's work within the Fondation Chantal Akerman and CINEMATEK, explains how the restoration of her films is part of a broader effort to enhance her oeuvre.
DOSSIERS
Restoring Chantal Akerman's Films #3
The color grading of a restoration
The restoration of Chantal Akerman's film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This was an opportunity to reflect on and examine more than ten years of work on restoring her films. Christophe Tondeur, an expert in film restoration, discusses the color grading work he performed on Demain on déménage.
DOSSIERS
Restoring Chantal Akerman's Films #1
Preparing a Restoration
The restoration of Chantal Akerman's film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This is an opportunity to take stock and examine more than ten years spent working on the restoration of her films. Arianna Turci and Bruno Mestdagh, the heads of the film collections, explain the preparatory work that was done for the restoration of Chantal Akerman's films.
DOSSIERS
Restoring Chantal Akerman's Films #2
The Digital Restoration
The restoration of Chantal Akerman’s film Demain on déménage by the Royal Film Archive of Belgium took place while the institution was preparing and organizing the retrospective dedicated to her from March to July 2024. This provides an opportunity to reflect on and examine over ten years of work on the restoration of her films. Arianna Turci and Bruno Mestdagh, heads of the film collections, and Christophe Tondeur, an expert in film restoration, explain the restoration work.
DOSSIERS
The greatest film of all time
Sight & Sound
The Cannes Film Festival highlighted the work of three generations (Luc and Jean-Pierre Dardenne, Charlotte Vandermeersch and Félix Van Groeningen, Lukas Dhont and Adil El Arbi & Bilall Fallah) and the year ended with the consecration of Chantal Akerman by the magazine Sight & Sound.On 2 December, Sight & Sound published its list of the 100 best films in the history of cinema, and more than 1,600 critics and film specialists named Chantal Akerman's Jeanne Dielman, 23 quai du Commerce, 1080 Bruxelles, as the greatest film of all time.
DOSSIERS
08.12 > 14.02
60 years of Algerian cinema
CINEMATEK has developed this programme of 21 Algerian films, from which 5 will be screened with English subtitles. During the preparations, we have been in contact with the filmmakers Chafik Allal, Kamel Dehane and Yasmine Chouikh, also with Hakim Abdelfettah, a film professional, and have received the support of the Algerian Embassy in Brussels.
DOSSIERS
Our Story
Marina Gržinić Interview
The Western and neoliberal construction of queerness tends to ignore or even take a condescending view of alternative histories and genealogies, often portraying non-Western queer people as nameless victims without agency.
DOSSIERS
Agnès Varda, born in Ixelles, revolutionised the art of filmmaking through her idiosyncratic films and inspired several generations of filmmakers and artists Inspired by the Jacques Ledoux exhibition, we would like to take a closer look at her career as a filmmaker and her strong bond with Jacques Ledoux. Some people have called the dynamic duo: “Two free electrons within the force field of cinema.”
